“Milano odia: la polizia non può sparare” (aka “Almost human”) is one of the milestones of the Italian Police movies. Shot by expert Umberto Lenzi in 1974. Digitmovies presents “Milano odia: la polizia non può sparare” with the music composed by Ennio Morricone and conducted by Bruno Nicolai.
Digitmovies added interesting inedit material (Tr.5, Tr.6, Tr.7, Tr.8, Tr.9, Tr.10, Tr.12) discovered recently on the stereophonic master tapes of the 1974 recording session. Morricone has created a symphonic score that alternates between dramatic, percussive moments and other romantic ones. The music is at the same time nostalgic and mysterious given by the frequent use of the sax. These tracks were edited by the composer in two long suites (Tr.1,Tr.2) where the semi–pop rhythmic main theme dominates (Tr.4) strongly in contrast with the pastorale and sad “I conti ora tornano” (Tr.3), another fine example of the strong and recognizable style of the composer. Our Cd encloses also a long (unused) version of the Main Titles M 1 (Tr.11).
TRACKLISTING:
01. RAPIMENTO 15:23
02. RAPTUS OMICIDA 8:14
03. I CONTI ORA TORNANO 3:10 bonus tracks
04. MILANO ODIA:LA POLIZIA NON PUÒ SPARARE (Titoli- versione film) 2:25
05. RAPTUS OMICIDA (# 2) 1:43
06. RAPTUS OMICIDA (# 3) 1:30
07. RAPIMENTO (# 2) 1:03
08. MILANO ODIA:LA POLIZIA NON PUÒ SPARARE (# 2) 3:06
09. RAPIMENTO (# 3) 1:46
10. RAPTUS OMICIDA (# 4) 1:25
11. MILANO ODIA:LA POLIZIA NON PUÒ SPARARE (# 3 Titoli- versione lunga) 4:12
12. RAPTUS OMICIDA (# 5) 2:43
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